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Virtual Exhibition


Bartu Sarı, Bensu Uğur, Mert Çulha, Zeynep Demir
 CRAVE: Bedenin Belleği ve Aşkın Çözülüşü Üzerine Bir Deneme
 This adaptation of Sarah Kane’s Crave is staged by drawing on the cinematic potential of the text. Each character’s body is fixed within a permeable plane, becoming a vessel for both individual inner voices and collective desires. The performers’ bodies are layered not only physically on stage but also through video projections, creating a porous relationship between physical space and digital imagery.

The body re-emerges as an archive, regaining functionality in this interplay. The performer’s presence on stage—as a subject—is conceived in tandem with technological extensions. The actor is not merely a conduit for a character, but a narrative plane shaped by their own memory, biology, and digital reflections. The camera enters the scene as an eye that captures both the surface and the internal resonance of the body. In doing so, the body not only represents—but also questions—the very notion of representation.